Wednesday, January 29, 2014

The White Album performed in its Entirety

Last night we attended the best rock music concert either of us had been to in decades: a concert led by Tom Appleman, a professor from Berklee College of Music and his musical guests. They performed the Beatles White Album in its entirety. Tickets were only $12 and it was general admission seating, so those of us who got there early lucked out with great seats in the first ten rows. This pricing/seating policy reminded us of the way things worked decades ago at typical rock concerts. The early birds got the best seats.

From the first sounds of the airplane landing in the beginning of "Back in the USSR" to the final words in "Good Night", the concert rocketed us to the stratosphere. We were grinning so long and hard I thought my face muscles would cramp! There was an eight year old kid sitting near the front who knew every song and sang along. There were grannies and lots of students from Berklee. It was multi-generational fun. Some babyboomer age fellows waiting outside the concert hall said, "Finally, after 45 years, the concert we always wanted."

The group played every song in the order of the album. They didn't say a word until after they'd played the entire first album's songs. And the pauses between numbers were as quick as the pauses between numbers on the LP. But it didn't just seem like an imitation. No, this performance did something that has been needed for decades. Good musicians bringing the songs of this studio recorded album to life.

The three guitarists dominated - Appleman, Corin Ashley, and Joe Musella. It was really amazing watching them switch gears with each song. This album has so many different styles it was dizzying to take it all in. All the musicians were great, but in addition to the leads, the piano/vocalist Brian E. King did yeoman's work, pulling together so many keyboard styles, even joining in on guitar and manning the firebell. Matt Burwell on percussion sang Ringo's songs and did a great job, bringing a Ringo-like quality to his performance.

It was hard to say which was our favorite. For me, hearing "Everybody's Got Something to Hide, Except for Me and My Monkey" was astounding in its power being played live. It was an unexpected surprise that this song would just pop like that. But there were so many moments like that in the concert.

This was a very special evening. It was lovingly produced, with a lot of hard work and raw talent - to sing all 30 songs in order with hardly any pauses. It was such fun to watch all the musicians come and go - including the string quartet, and the brass players.

I am hoping they will do this show again. Perhaps it will become a mid-winter tradition, and spread to other cities. It's totally a worthwhile project. All in all, a fantastic achievement.

2 comments:

  1. Thanks! Thanks for coming and for writing such lovely things about our show. I hope we get to do it again.

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  2. You are welcome - I wish the Globe, the Phoenix, anybody had reviewed it! Please do it again - and we will bring all our friends. Watching the art, the craft and the hard work of it all was pure inspiration. I was happy to see the show mentioned on CBS Sunday Morning.

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